The more I read Is It Wrong to Try to Pick Up Girls in a Dungeon? the more I truly come to appreciate the series despite the somewhat awful choice of title. Author Fujino Omori comments that the third volume of the series finishes off what he regards as the first part of the series’ story, and with that in mind I think it probably is the most fitting end you’re going to get for this section of our tale. Continue reading
Your Lie in April undoubtedly became one of my favourite things when the anime aired last year and so I’ve ended up starting to collect the manga both out of curiosity and the simple fact that I want to support the series as much as possible. For such a musically driven show I was always wondering how the original source managed without the music, but three volumes in and I’m still as deeply in love with Your Lie in April as I was watching the anime.
I went into Is It Wrong to Try to Pick Up Girls in a Dungeon? (or DanMachi as I’ll be referring to it as from here on out), is a series I wasn’t expecting to get very attached to it. Our story revolves around a young adventurer known as Bell Cranel a 14-year-old boy hoping to become a hero, save the girl, and have a harem of sorts around him. Wait, no, that’s the novels…
With Tokyo Ghoul I was interested in the series from the moment an anime adaptation was announced, but knowing that the anime went for an original story in its second season made me want to read the original manga all the more. Cue much excitement when Viz Media revealed that the series has been licensed for an English release and eight months later I happily have the first volume in my hand to flip through.
It has to be said that I am a massive fan of Dusk Maiden of Amnesia and it quickly became one of my favourite stories, so when Crunchyroll announced that they had the the latest work from author Maybe I was definitely excited. Tales of Wedding Rings might only be 10 chapters in but already I can see some brilliance shining through in ways that only Maybe seems to be able to capture.
The Devil Is a Part-Timer is yet another example of a series where I experienced the anime first and then have read the light novel. This is of course due to the light novel scene outside of Japan not really existing until well after the original anime was a thing, but nevertheless we have it now! The Devil Is a Part-Timer is probably also yet another example of a series I like quite a bit more in its original form rather than as an anime.
When I last reviewed Fuuka I was full of praise for the series and how it handles itself, but had I continued reading the series just a few more chapters I think I would have changed my opinion slightly as chapter 36 actually turns the series on its head in a number of ways. The following review contains some major spoilers for Fuuka!
When I reviewed the first volume of Is It Wrong to Try to Pick Up Girls in a Dungeon? I found myself very taken with main character Bell and the world in which he lives. Considering how much I enjoyed the first volume in the series I went into the second with hopes of something which could perhaps double my love for the series, I mean surely with world building and such out the way the story would draw me in all the more. Well, the second volume kind of lived up to my hopes but it also has its own problems.
It’s not hard to stumble across Sword Art Online when talking about recent anime hits. Based on a series of successful light novels, the anime told the story of thousands of people trapped within a video game. What the anime didn’t do however is tell this tale from the first floor of Aincrad up, although the original light novels didn’t either so it can hardly be faulted. That said, one of the more interesting aspects of Sword Art Online has always been the world of Aincrad and thus the Progressive series of novels are here to answer a lot of our questions and tell a brand new tale.
Your Lie in April tells the story of Kosei Arima. A child prodigy in piano who steps away from the limelight after the death of his mother effects him so badly he can no longer hear the notes he plays. Fastforward a few years and Kosei is introduced to Kaori Miyazono, a free-spirited violinist who slowly encourages Kosei to take up piano once more. It’s a simple story on the surface but with a brilliant amount of depth under it all.